Miriam Sheafe is one of the most talented writers of contemporary spanking literature.
Her stories are diverse in different geographic locations and in different historical periods. Though its stories are easy to read, they are having rich in philosophical, historical, scientific, or literary backgrounds.
Her stories remind on the Béla Bartók's famous opera, "The Bluebeard's Castle". As in this opera Judith, the young wife of the Bluebeard opens the rooms of the mansion and finds terrible things behind them, Miriam Sheafe opens symbolically the "rooms" of the feelings and desires that are ashamed or concealed by many.
e student who works part-time in a very special private foundation, called Round Peach Spanking Club ("An unprecedented event in a traditional Spanking Club").
In another one, she describes an unselfish, self-sacrificing girl in China's early Middle Ages who was being punished instead of a guilty woman ("Silvery Light of the Waning Moon.")
There is a story that occurs in Hungary in the mid-19th century ("Dangerous travel in the Hungarian Puszta"). Another is played in the Czechoslovakia of the '50s ("Anežka's desire"). There are some that are nowadays in North India (“Never trust a girl in Kashmir!”), or, for example, Texas (“Eternal return - Jim's unexpected encounter with Jo“), UK (“Beware of demonstration!”), Germany (“My wife whacked me. What a nice day!”), or many other places in the World.
Of particular interest are the works of the alternative historical category. Outstanding among these is ‘Tsarina incognito’, which describes the imaginary story of what would have happened if one of the daughters of the Russian Tsar, Nicolas Romanov, had escaped execution and secretly resumed her life in a foreign country. Can a tsar’s daughter live like an average girl?
There are some when she captures her imagination and hears the boundaries of science. In one of her stories, she writes that the Universe is only part of a much richer multiverse.
Miriam Sheafe created a new genre, called "ethical spanking". Though the subject of her stories contains plenty of spanking actions beyond doubt, her novellas are always humanistic and empathic.
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